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Original Title: The Gatling Gun

Genge: Action,Drama,Western

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Two backstabbing deserters steal a Gatling Gun from their cavalry unit to attack an Apache tribe and steal their gold. They get help from a naive pacifist pastor. Meanwhile, both the cavalry and the Apache go after them - and the Gun.
Low-budget, by-the-numbers western, routine in every department: writing, direction, acting, you name it. The plot is nothing special: a ragtag detachment of soldiers must protect a new Gatling gun from falling into the hands of rampaging Indians. A somewhat decent cast gives this picture a bit more than just a passing interest, but not much more. Phil Harris looks out of place, John Carradine was at a point in his career where he took just about anything and everything that was offered to him--which explains why he's in this--Guy Stockwell looks tired, and the only even remotely energetic performance is given by veteran western actor and John Ford favorite Woody Strode. Listlessly directed and sloppily written, this cheap-looking film has a burst of action near the end that breaks the monotony, but not enough to make it worth sitting through. Skip it.
I couldn't get into this one. A cavalry patrol recaptures a stolen Gatling Gun, and must escort it (and the gun thieves) back to a safe location through hostile Apache territory. I noted the anti nuclear weapons subliminal message discussed early on in the movie's dialog. One scene I found baffling involved a pacifist preacher, who knew the hostile Apache chief, Two Knifes, coming out of a homestead while being restrained by the homestead family and the Cavalry patrol commander, yelling for Two Knives that his friend the preacher was in the homestead. Out of nowhere arrows hit the pacifist preacher, yet for some reason do not hit the cavalry commander and the other combatants....lack of realism. There are corny old school cinematic (what you see in black and white films) romantic subplots...I do not understand how one of the females who was part of this cavalry / civilian group, and involved in the corny romance sub plots, was able to untie one of the gun thieves being escorted in order to have their corny face touching moments...no one was watching the prisoner? Why didn't these people steal one of the horses and run, especially if the gun thief knew he was probably going to be executed anyway? I could not watch this film any longer, I had to end it there. It took a lot for me to give it a 3. Brian Ghilliotti






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